’It Was Just an Accident’ wins the Palme d'Or at Cannes Film Festival
Published May 24, 2025 • 2 minute read
Join the conversation
Iranian director, screenwriter and producer Jafar Panahi delivers a speech next to Australian actress Cate Blanchett (centre) and French actress and president of the jury of the 78th Cannes Film Festival Juliette Binoche after winning the Palme d'Or for the film "Un simple accident" (It Was Just an Accident) during the closing ceremony at the 78th edition of the Cannes Film Festival in Cannes, southern France, on May 24, 2025. Photo by SAMEER AL-DOUMY /AFP via Getty Images
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page.
Iranian dissident filmmaker Jafar Panahi’s revenge thriller “It Was Just an Accident” won the Palme d’Or at the Cannes Film Festival on Saturday, handing the festival’s top prize to a director who had been banned from leaving Iran for more than 15 years.
Advertisement 2
Story continues below
This advertisement has not loaded yet, but your article continues below.
Don't have an account? Create Account
or
View more offers
Article content
Article content
Article content
Cate Blanchett presented the award to Panahi, who three years ago was imprisoned in Iran before going on a hunger strike. The crowd rose in a thunderous standing ovation for the filmmaker.
The win for “It Was Just an Accident” extend one of the most unprecedented streaks in movies: The indie distributor Neon has backed the last six Palme d’or winners. Neon, which acquired “It Was Just an Accident” for North American distribution after its premiere in Cannes, follows its Palmes for “Parasite,” “Titane,” “Triangle of Sadness,” “Anatomy of a Fall” and “Anora.”
The Cannes closing ceremony followed a major power outage that struck southeastern France on Saturday in what police suspected was arson. Only a few hours before stars began streaming down the red carpet, power was restored in Cannes.
Your Midday Sun
Your noon-hour look at what's happening in Toronto and beyond.
By signing up you consent to receive the above newsletter from Postmedia Network Inc.
Thanks for signing up!
A welcome email is on its way. If you don't see it, please check your junk folder.
The next issue of Your Midday Sun will soon be in your inbox.
We encountered an issue signing you up. Please try again
Article content
Advertisement 3
Story continues below
This advertisement has not loaded yet, but your article continues below.
Article content
The Grand Prix, or second prize, was awarded to Joachim Trier’s Norwegian family drama “Sentimental Value,” his lauded follow-up to “The Worst Person in the World.”
Kleber Mendonca Filho’s Brazilian political thriller “The Secret Agent” won two big awards: best director for Fihlo and best actor for Wagner Moura.
The jury prize was split between two films: “liver Laxe’s desert road trip “Sirat ” and Mascha Schilinski’s German, generation-spanning drama “Sound of Falling.”
Best actress went to Nadia Melliti for “The Little Sister,” Hafsia Herzi’s French coming-of-age drama.
The Belgian brothers Jean-Luc and Pierre Dardennes won best screenplay for their latest drama, “Young Mothers.” The Dardennes are two-time Palme d’Or winners.
Advertisement 4
Story continues below
This advertisement has not loaded yet, but your article continues below.
Article content
Cannes’ award for best first film went to Hasan Hadi, for “The President’s Cake,” making it the first Iraqi film to win an award at the festival.
Saturday’s ceremony brings to a close a 78th Cannes Film Festival where geopolitics cast a long shadow, both on screen and off. Shortly before the French Riviera extravaganza, which is also the world’s largest movie market, U.S. President Donald Trump floated the idea of a 100% tariff on movies made overseas.
Most filmmakers responded with a shrug, calling the plan illogical. “Can you hold up the movie in customs? It doesn’t ship that way,” said Wes Anderson, who premiered his latest, “The Phoenician Scheme” at the festival.
That was one of the top American films in Cannes, along with Spike Lee’s “Highest 2 Lowest,” the Christopher McQuarrie-Tom Cruise actioner “Mission: Impossible — Final Reckoning” and Ari Aster’s “Eddington.”
Article content
Share this article in your social network