Oprah Winfrey names "The Emperor of Gladness" by Ocean Vuong newest book club pick: Read a free excerpt

Oprah Winfrey revealed "The Emperor of Gladness" by Ocean Vuong as her latest book club selection on "CBS Mornings" on May 13.

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Updated on: May 13, 2025 / 9:30 AM EDT / CBS News

Oprah Winfrey stopped by "CBS Mornings" on Tuesday to reveal her latest book club selection, "The Emperor of Gladness" by Ocean Vuong. It is an epic story about love and loneliness, following an "unlikely duo": a 19-year-old who develops a life-changing bond with an elderly widow who's suffering from dementia.

"I picked it because I thought that it was some of the most beautiful writing I've experienced and my lifetime. I think it is poetic literature, and I think that Ocean Vuong's ability to capture the essence of just ordinary people is like nobody I've ever experienced," Winfrey explained as the reasoning behind her May selection.

Winfrey praised Vuong's mastery of being able to showcase the "extraordinary" in the "ordinary" of people's lives.

"If you read the first chapter, you'll be hooked," Winfrey said.

Oprah Winfrey holds up her book club pick: "The Emperor of Gladness" by Ocean Vuong. CBS Mornings

Read a free excerpt from "The Emperor of Gladness" by Ocean Vuong, published by Penguin Press, below:

The hardest thing in the world is to live only once.

But it's beautiful here, even the ghosts agree. Mornings, when the light rinses this place the shade of oatmeal, they rise as mist over the rye across the tracks and stumble toward the black-spired pines searching for their names, names that no longer live in any living thing's mouth. Our town is raised up from a scab of land along a river in New England. When the prehistoric glaciers melted, the valley became a world-sized lake, and when that dried up it left a silvery trickle along the basin called the Connecticut: Algonquin for "long tidal river." The sediment here is rich with every particle welcoming to life. As you approach, you'll be flanked by wide stretches of thumb-sized buds shooting lucent through April mud. Within months these saplings will stand as packed rows of broadleaf tobacco and silver queen corn. Beyond the graveyard whose stones have lost their names to years, there's a covered bridge laid over a dried-up brook whose memory of water never reached this century. Cross that and you'll find us. Turn right at Conway's Sugar Shack, gutted and shuttered, with windows blown out and the wooden sign that reads WE SWEETEN SOON AS THE CROCUS BLOOM, rubbed to braille by wind. In spring the cherry blossoms foam across the county from every patch of green unclaimed by farms or strip malls. They came to us from centuries of shit, dropped over this place by geese whenever summer beckons their hollow bones north.

Our lawns are overrun with ragweed and quack grass, one of them offering a row of red and pink tulips each spring, heads snared through the chain link they lean on. The nearby porch overflows with rideable plastic toys, a wagon, tricycles, a fire truck, their primary colors now faded to Easter hues. A milk crate with a flap of old tire nailed across its opening is a mailbox set on a rotted sideboard, Ramirez 47 written on the rubber in Wite-Out. Beside this is a tin bird feeder the shape of Bill Clinton's head. Seeds spill from his laughing mouth and fall like applause each time the wind comes off the freighter that blows through this place in the night's unseen hours. Though the train never stops in our town, its whistle can be heard in every living room three miles out. Nothing stops here but us, really. Hartford, the capital built on insurance firms, firearms, and hospital equipment, bureaucracies of death and catastrophe, is only twelve minutes by car down the interstate, and everyone rushes past us, either on their way in or to get the hell out. We are the blur in the windows of your trains and minivans, your Greyhounds, our faces mangled by wind and speed like castaway Munch paintings. The only things we share with the city are the ambulances, being close enough to Hartford for them to come fetch us when we're near dead or rattling away on steel gurneys without next of kin. We live on the edges but die in the heart of the state. We pay taxes on every check to stand on the sinking banks of a river that becomes the morgue of our dreams.

Down our back roads, the potholes are so wide and deep that, days after a summer downpour, minnows dart freely in the green-clear pools. And out of the dark of an unlit porch, someone's laugh cuts the air so quick you could mistake it for a gasped-back sob. That beige shack flanked by goldenrods is the WWII Club, a bar with three stools and a wood-paneled vending machine stocked only with Marlboros and honey buns. Across from that are brick row houses. First built for men who worked the paper mill on Jennings Road, they now house veterans who come home from every battlefield you can think of to sit on plastic lawn chairs staring at the mountain ridge before shuffling back into smoky rooms where mini-TVs, the size of human torsos, lull them to sleep.

Look how the birches, blackened all night by starlings, shatter when dawn's first sparks touch their beaks. How the last crickets sing through fog hung over pastures pungent now with just-laid manure. In August, the train tracks blaze so hot the rubber on your soles would melt if you walked on them for more than a minute. Despite this heat everything green grows as if in retribution for the barren, cauterized winter, moss so lush between the wooden rail ties that, at a

certain angle of thick, verdant light, it looks like algae, like the glacial flood returned overnight and made us into what we were becoming all along: biblical.

Follow the tracks till they fork off and sink into a path of trampled weeds leading to a junkyard packed with school buses in various stages of amnesia, some so old they're no longer yellow but sit grey as shipwrecks. Furred with ivy, their dented hoods pooled with crisp leaves, they are relics of our mislearning. Walk through this yard—as some have done on their way home from the night shift at the Myers sock factory or just out wandering on Sunday afternoons alone with their minds—and you walk through generations of wanderlust burned between faux-leather seats. At the lot's far edge lies the week-old roadkill, its eye socket filled with warm Coca-Cola, the act of a girl who, bored on her way from school, poured her drink into that finite dark of sightless visions.

If you aim for Gladness and miss, you'll find us. For we are called East Gladness. Gladness itself being no more, renamed to Millsap nearly a century ago after Tony Millsap, the boy who returned from the Great War with no limbs and became a hero—proof you could lose almost all of yourself in this country and still gain a whole town. A handful of us wanted to be East Millsap to soak the shine and fill the stores, but the rest were too proud to name ourselves after a kid whose wheelchair never glided over our sidewalks.

Lasting seven months, winter begins by late September, when the frost glitters on the courthouse lawn and over the hoods of cars banked along the roads. As maples, poplars, and sassafras sway, the light filters amber through their leaving leaves. Even the steeple of the boarded-up Lutheran church grows from dove-white to day-old butter by noon.

Though skeptical, we are not ambivalent to hope.

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